Look GHASB was ok but not smashin at all. Yall song were jus clear and were played really good. But if you gone smash and blow on us like yall said b4' then do that. We had bout 8 btones so what our high brass killed yall high brass. I dont play btone. im only worried about my section.
UMM TREVOr MELLo YOU TRIPPIN WHEn DID YALL HAVE A FULL SOUND..UMMMM LETS SEe NOT TUBAS NO BONES..ANd i KNOW YALl HAD MORE THAN HOUSTON ALL STAR...ANd WEAK BARITONS.....BUT IF YOU SAY SO..I THINK YOu REALLY NEEd To BE TAUGHT BETTER...BECAUSE THAT NOT THe WAY YOU ARE SUPPOSE TO PLAY MELLO:)..AND TO BE HONEST WE DONT HAVE ALOT Of B-TONES..WE ONLY HAVE 6. WE JUST KNOW HOW TO BLEND WITH EACH OTHER..IT's CALLED BALENCE...BUT LIKE I SAID BEFOR WHAT EVER FLOATS YOUR BOAT...
yall sound was only full because yall got btones like a hoe and bones too but i need more from yall high brass cuz yall low brass was jus kill yal high brass. For us(DFWASB) we got everything.
HANDS DOWN MUSICALITY AND VOLUME, ITS GOES TO THE GHASB, better musicality and volume was just as loud since DASB wanted to take the "SOUTHERN" route, playing that easy stuff just to get volume, and GHASB was still louder. Good job to both, but DASB, yall need to work on yall articulation, niggas don't know what the hell yall be playing sometimes!!!
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